What forces shaped Katherine Parr into the woman she later became; learned, compassionate, kind and wise? Whilst much is said of her later life, what about Katherine’s childhood; where was she raised and in what kind of environment? What kind of schooling did she have? Who did she grow up with and who were the key influencers in her early years? Today, we will be looking at some of these questions as we time travel to Hertfordshire, a county just north of London and visit, in particular, Rye House, childhood home of Katherine Parr.
At some point during the first few years of Katherine’s life, Rye House in rural Hertfordshire became the Parr children’s permanent home. Here, Katherine and her younger siblings, William and Anne, would spend their formative years being educated alongside several cousins, including Maud, eldest daughter of Katherine’s uncle, William Parr of Horton.
It was the beginning of a lifelong friendship. Alongside Katherine’s younger sister Anne, Maud would become one of Katherine’s closest friends and confidantes, even serving the dowager queen during her final few months at Sudeley Castle (see entry on Sudeley Castle).
Rye House, Childhood Home of Katherine Parr
The Parrs moved to Rye House after leasing it from Sir Thomas’s cousin, Sir Andrew Ogard. However, not long after establishing the household there, on 11 November 1517, Sir Thomas Parr died of the sweating sickness at his London home in Blackfriars. He was forty years of age.
In death, Katherine’s mother would be entombed next to her husband in the now lost church of St Anne’s, Blackfriars, close to the family’s city base. However, despite the obvious importance of this residence, it seems Sir Thomas and Lady Maud opted instead for a rural upbringing for their offspring, a common practice for wealthy Tudor families. It was a healthier environment for children with its abundant, green, open spaces and healthy fresh air.
Katherine was just five years old at the time of Sir Thomas’s demise, so probably remembered very little about him. Quite in contrast, though, her mother would become a central, much-loved and highly influential figure in the young girl’s life.
At the time of her husband’s death, Lady Parr was twenty-five years old. With three small children to care for, Maud divided her time between her duties at court as lady-in-waiting and close friend of Katherine of Aragon, and those of her role as chatelaine at Rye.
It is here that Katherine’s mother established a schoolroom for the younger generation of Parrs, and it is here that we can imagine Katherine receiving the avant-garde humanist education that was becoming fashionable at the beginning of the sixteenth century. Indeed, as an adult, Katherine’s sister Anne would recall how their mother had modelled the Parr children’s tuition on that prescribed by Sir Thomas More, the doyen of female Renaissance education.
According to Janel Meuller, author of The Complete Works of Katherine Parr, ‘a single tutor educated the three Parr children under a programme of study that included Latin, French, Italian and even some basic medical lore’. As she goes on to point out, letters written to Katherine by her stepchildren when she was queen attest to a certain level of competence in the aforementioned languages.
Her scholarly accomplishments later in life reveal her mastery of English, while the fact that Katherine always signed off her own household accounts make it likely that arithmetic was also on the curriculum. This latter skill may have been acquired as a result of Maud Parr’s association with the renowned scholar, cleric, mathematician and humanist, Cuthbert Tunstall.
Although fatherless from an early age, Katherine was not bereft of male influence while growing up at Rye House. Clearly, Maud was an intelligent and formidable woman in her own right. Yet, as was customary for the day, Lady Parr consulted with close male relatives on key matters including the running of her estates and the education of the children. In this regard, two figures stand out: Katherine’s uncle, William Parr of Horton, and the aforementioned Cuthbert Tunstall.
Both men would provide a constant and guiding presence throughout Katherine’s life. However, it is Tunstall’s hand that can perhaps be most keenly felt in his influence on the Rye House curriculum. It was this education, couched within the strong bonds of family affection, which would forge Katherine’s virtuous and kind, but self-assured, character.
We do not know what aspirations Lady Parr had for her daughters, but a well-rounded education for an aspiring Tudor lady also included the mastery of certain accomplishments such as dancing, music, riding and hunting. While Katherine, her siblings and cousins applied themselves diligently in lessons, there must have been much free time and space to learn these additional pursuits.
According to Katherine’s biographer, Linda Porter, ‘outside the schoolroom, Katherine Parr developed other interests and enjoyed a variety of pastimes. She liked country pursuits and was a keen rider and hunter. She collected coins, played chess and loved music and dancing.’ And so, Katherine’s idyllic life must have cycled from day to day, joyously punctuated by the return of Lady Parr from court.
As the children began to mature, it is easy to imagine Katherine, William and Anne surrounding their mother’s skirts, listening agog to tales from court: of the new French fashions brought back to England by Mary Tudor, the dowager French queen; of a chivalrous and handsome King Henry, his gracious Spanish consort and the little Princess Mary; of power, intrigue and endless merry disport. It must have seemed a glittering and fascinating world, so very far away from the quiet idyll of Rye House.
Rye House – A Moated Medieval Manor
Although only the gatehouse still stands, we know much about the appearance of the manor house that Katherine called home for around twelve years, thanks both to archaeological excavations and a seventeenth-century plot to assassinate the then king, Charles II (known as The Rye House Plot). The judicial papers prepared for the prosecution of the conspirators contains not only a description of the house, but a floor plan and illustrations that show the elevation of the building [This plan is included in the book but for copyright reasons cannot be reproduced here].
Construction of Rye House was begun in 1443 by the original Sir Andrew Ogard (grandfather of the aforementioned Sir Andrew). He was granted a licence to empark it, along with ‘50 acres of land, 10 acres of meadow, 80 acres of pasture and 16 acres of wood … and to enclose the site of the manor with stone and mortar, and to turret, remellare, embattle and machicolate it’.
The manor itself took its name from the surrounding marshland, known in the sixteenth century as the ‘Insula de Rye’. To the south-east was the River Lea, which ran to the rear of the moated enclosure, while to the north-west, in front of the gatehouse, ran the toll road toward Newmarket. At the time of its construction, the park of Rye House covered a total of 156 acres, giving the Parr children plenty of space to practice the arts of riding, hunting and hawking.
The manor itself is of particular interest to architectural historians. According to the paper Rye House and Aspects of Early Brickwork by T. P. Smith, ‘Rye House must be regarded as an early instance of brick building in this country, after its re-introduction from the Continent’. Despite its modest size, from the moulded, decorative brickwork that remains today as part of the gatehouse, it is not hard to imagine what a splendid building this must once have been.
Surrounded by a 20-foot-wide moat, the rectangular inner enclosure, which contained the manor and its gardens, measured some 230 feet by 160 feet. As the opening quote makes clear, this enclosure was in turn surrounded by a high wall, set back some 16 feet from the moat on three sides, only the gatehouse abutting the water’s edge. Around four-fifths of this area was laid to gardens, the manor itself occupying only a small area in the north-west part of the enclosure.
According to Emery’s Greater Medieval Houses of England and Wales, the gatehouse was part of the residential accommodation at Rye House. It opened into a small court, 40 ft by 24 ft, with buildings on three sides and a low gated wall on the forth. Steps close to the gatehouse gave entry to the almost square hall, 32 ft by 26 ft, with the kitchen and offices at its lower end abutting the gatehouse.
Across the small court were two linked parlours. These parlours adjoined the great hall at its high end, and would have made up the principal living chambers for the Parr family. Was it in one of these parlours, or maybe the large first-floor chamber of the gatehouse, that the children took their daily lessons? The manor was not grand in terms of the number of rooms it contained, so options for placement of the schoolroom are limited. With so little left of the original manor, it is delicious to think that maybe a room of such importance might have survived unrecognised through some quirk of fate.
The End of an Era
By 1525, Katherine’s days of innocence were coming to an end. At the age of just twelve, her brother was sent away to be brought up in the household of Henry Fitzroy, the newly created Duke of Richmond. Two years earlier, Katherine herself had already been subject to a failed round of marriage negotiations with Lord Scrope of Bolton.
However, four years on, a new set of negotiations had been successfully completed with a different suitor. Katherine was seventeen when she was contracted to become the wife of Edward Borough, the twenty-year-old son and heir of Sir Thomas Borough of Gainsborough in Lincolnshire. A new life awaited her in the northern shires of England. Katherine would surely need to draw upon all the learning she acquired at Rye to navigate the sometimes choppy waters that lay ahead.
Today the remains of Rye House have been engulfed by the march of time. A little like a visit to Gainsborough Old Hall, as you approach you will find yourself wondering if you are in the right place at all! Surrounded by rather dull and tatty land in use for both domestic and commercial purposes, the time traveller emerges suddenly on the site, Rye’s handsome gatehouse standing encircled by the moat as it has been for centuries.
The grassy enclosure that once formed beautiful formal gardens is laid to lawn as a small park, used by locals. Free parking is on-site and you are likely to find yourself with plenty of space to wander round the gatehouse and admire its fine architectural features. Within the enclosure, and behind the gatehouse, the outline plan of Rye House is marked out in the lawn, each chamber helpfully labelled to help you identify where you would be standing in the house during its heyday.
What is immediately obvious is just how compact and bijoux Katherine’s childhood home was – certainly a far cry from the great palaces she would come to know as home. Yet as you wander round with your thoughts to keep you company, perhaps you might reflect on the fact that, small as it may be Katherine’s rise to the pinnacle of Tudor society is due in no small part to the accomplishments acquired and the character forged here at Rye House.
On a few days of the year, the gatehouse is open to view its interior chambers. Please see the website for further details at:
At all other times, only the exterior is accessible.
If you wish to learn more about Katherine Parr and her later life, visit The Tudor Times to read more.
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