This week’s guest blog accompanies November’s Tudor Travel Show and is written by Florence Evans, Director of The Weiss Gallery in London. Currently for sale in the gallery is a portrait of the boy-king, Edward VI, by the studio of the artist, William Scrots. In The Tudor Travel Show, I interview Florence about the painting; …
There’s nothing as intriguing as an unfinished painting. That’s what I found out during my recent conversation with Charlotte Bolland from the National Portrait Gallery. For starters what happened to the painter? Why was it never finished? As it turns out, there is a dramatic possibility that might explain that mystery. However, in addition, an …
Occasionally, an incredible discovery of historic significance occurs. Such is the case with the Bacton Altar Cloth, now believed to be part of a lost dress from Elizabeth I’s wardrobe. This item is not just rare – it is unique. For although accessories belonging to Elizabeth have survived, no single item of her clothing is …
Elizabeth I was known for her virtue as England’s ‘Virgin Queen’. This most iconic of monarchs would likely have been mortified to find her image captured in a painting that cast aspersions on her well-manicured reputation. In the scene, we encounter Queen Elizabeth I dancing La Volta in an ungainly display of intimacy with her …
Do you find most of the portraits of Elizabeth I frustratingly aloof? The majestic ‘Virgin Queen’, her face and hair puffed and powdered to within an inch of her life, her body stiff and her gowns brimming with the carefully crafted symbolism of power, purity and wisdom? I do. That was until one lazy afternoon …