Some weeks ago, I penned a blog about a celebrated jewel of Renaissance Europe: The Three Brothers, once owned and much loved by Elizabeth I of England. So, much so that she is seen wearing it close to her breast on her tomb effigy in Westminster Abbey. During the writing of that blog, I was …
Recently, I had a ‘stop-me-dead-in-my-tracks’ moment. A delicious fluttering of excitement crept over me, the kind I get when I know I have ‘discovered’ something to do with Tudor history that I had known nothing of beforehand. I love these very personal discoveries; they make me look again; they often help me consider things from …
Tudor Miniatures are incredibly intense and personal objects, painted by some of the most talented artists of the age. In today’s blog, we are going to be exploring this exquisite art form, as I go in conversation with expert Emma Rutherford of The Philip Mould Galleries. Learn about the diplomatic and deeply romantic use of …
This week’s guest blog accompanies November’s Tudor Travel Show and is written by Florence Evans, Director of The Weiss Gallery in London. Currently for sale in the gallery is a portrait of the boy-king, Edward VI, by the studio of the artist, William Scrots. In The Tudor Travel Show, I interview Florence about the painting; …
There’s nothing as intriguing as an unfinished painting. That’s what I found out during my recent conversation with Charlotte Bolland from the National Portrait Gallery. For starters what happened to the painter? Why was it never finished? As it turns out, there is a dramatic possibility that might explain that mystery. However, in addition, an …
Occasionally, an incredible discovery of historic significance occurs. Such is the case with the Bacton Altar Cloth, now believed to be part of a lost dress from Elizabeth I’s wardrobe. This item is not just rare – it is unique. For although accessories belonging to Elizabeth have survived, no single item of her clothing is …
Elizabeth I was known for her virtue as England’s ‘Virgin Queen’. This most iconic of monarchs would likely have been mortified to find her image captured in a painting that cast aspersions on her well-manicured reputation. In the scene, we encounter Queen Elizabeth I dancing La Volta in an ungainly display of intimacy with her …
Do you find most of the portraits of Elizabeth I frustratingly aloof? The majestic ‘Virgin Queen’, her face and hair puffed and powdered to within an inch of her life, her body stiff and her gowns brimming with the carefully crafted symbolism of power, purity and wisdom? I do. That was until one lazy afternoon …